![]() ![]() WaveBurner’s interface is a different story. And, regrettably, MasterList CD is copy protected. Also, unlike Jam and WaveBurner, MasterList CD doesn’t support drag and drop you must add tracks via a dialog box rather than simply dragging sound files into a track list. There are very few graphical elements heremostly number fields and dialog boxes. Unlike the other applications, it lets you set up to 100 reference points within a CD track list you can compare the volume among several tracks by calling up different locations in the playlist.Ĭomplete though MasterList CD may be, its interface is anything but friendly. MasterList CD is intended for professional users who prepare reference CDs for duplication. Jam is content to route sound through any card that has a Sound Manager driver.Īnother consideration is the kind of work you do. Likewise, MasterList CD won’t recognize the Emagic cards. WaveBurner offers similar support for Emagic’s Audiowerk cards, but the version we tested doesn’t yet support Digidesign cards. MasterList CD, for example, lets you monitor your tracks through Digidesign’s audio cards, which output sound at higher bit rates than Apple’s 16-bit Sound Manager. ![]() The apps also let you create crossfades between tracks and tweak the volume of individual tracks.Īlthough none of the three requires special audio cards (you no longer need an add-on audio board to use MasterList CD), hardware is still a consideration. All three let you work with the minutiae of Red Book audiothe P and Q subcodes that control such aspects of audio CDs as copy protection and index numbering. Unlike Toast, which produces both data and audio CDs, the three applications we reviewed create only audio CDs that conform to the Red Book standard.
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